Jazmín López (Buenos Aires, Argentina) is a filmmaker, visual artist, and professor. She graduated from the Universidad del Cine in Buenos Aires and holds an MFA in Visual Arts from NYU. López participated in the WhitneyISP program and her work is represented by Ruth Benzacar art gallery. Her work has been featured in venues like Fondation Pernod Ricard, San Jose Museum, OCAT, Tabacalera, Kadist, Istanbul Biennial, and KW Berlin.

Her films have participated in festivals such as the Orizzonti official competition at the Venice Biennale, Rotterdam Film Fest, Viennale, New Directors New Films at MoMA and Lincoln Center, Centre George Pompidou, and KW Institute Berlin. Her work has been featured in Variety and The New York Times.

López has taught master classes at École Nationale Supérieure des Beaux-Arts de Lyon, Porto University, and Shanghai University. She was also part of the jury for the feature-length official competition at the 33rd FID Marseille. Recently, MoMA acquired her films, and she currently holds a tenure-track faculty position at Sarah Lawrence.

While in residency at Camargo, Jazmín López will be working on a project entitled "Faust".

This is a fable. The body of the beloved Evita Perón, the woman of the people, is returned to her family after years of desecration. It is 1973 in Buenos Aires. Isabel is 30 years old. She is set to accede to the presidency of her country. However, she feels that something is missing. She is discouraged from taking office due to her lack of charisma and political conviction. Isabel and José (35), the former secretary of Perón and a powerful figure at the time, decide to perform a ritual in which Eva Perón's soul would migrate to Isabel's body. The changes are physical and the transplant seems to work. But soon it becomes clear that the changes were only in her mind’s fantasy. In reality, not only did she not manage to integrate the soul of the most important woman in Argentine history but that also ended up playing against her. Isabel realizes that she will never be Eva and she relies more and more on the military until, finally, she hands over the state to them. Eva's soul is in her body, the body it never left.